Posted by: janamatusz | August 20, 2026

Well, finally…

Yes, it’s been a long time. After the St. Botolph Club exhibit, I needed time to get working, get centered, and think about where my work was going. (Thank you, Sarah and Mary, for urging me to write, but I just wasn’t ready.)

So here we are, a year and a half later. I’m still as much in love with Acadia as ever. I make my usual painting pilgrimages to Maine, and I’ve been painting and loving every minute. Amy Sidman, at the Argosy Gallery in Bar Harbor, has continued to sell my work at an amazing pace. Please visit the gallery website to see paintings available for sale. (The paintings here on my website are just to show and share my work, not to sell!) Thank you, Amy and Charlie, and patrons of the gallery for your kindness, your support, and your enthusiasm. (Talking about you, John B! and many others!)

http://www.argosygallery.com/artist.asp?id=75

My painting has evolved. After insisting, stubbornly, for so many years that I prefered to work only on-site, I finally opened myself to the possibility of painting from my photographs. This allows me to share those moments, those places, those special light and color situations which are impossible to capture as a plein air painter.

And, I’ll be honest, it also allows me to paint without so much darn suffering! I guess I’m getting old. Don’t get me wrong — I still love painting on site, and will continue to do it when I can. But I won’t keep myself from painting in an indoor place which is comfortable, warm, handy to a bathroom and a hot cup of coffee! Especially when I can capture in paint some of the most beautiful moments in Acadia.

Here are some paintings from the past year or two:

Between the Bubbles, 20 x 16″
Fall Color, Schoodic, 16 x 16″
Cormorant at Otter Point, 16 x 16″
Moon Shadows, Schoodic, 16 x 16″
Three Worlds, 16 x 16″

That last one, Three Worlds, is a painting I’ve wanted to paint for a long time. That one is a keeper, at least for now. I still love my rocks, and I love seeing them underwater too. Rocks, water, nature, clouds, night time, shadows. I want to paint it all. And Acadia has it all for me. I never get tired of Acadia. It just gets better and better, and there are a few factors which have kept it new and exciting. For example:

KAYAK! Our Oru kayaks continue to open a new visual world for me. The kayak enables unique viewpoints for the landscape, but it also gives me a whole new way to experience Acadia. There is nothing like the morning peace on a mirror lake.

Early morning on Jordan Pond.
View of the Tarn from kayak.
Getting up early is worth it.
Do I dare share a poem with you? My first and only in decades?

I think I’ll be doing more paintings looking into the water. They are devilishly difficult, but I love them.

Dancing Light, Eagle Lake, 16 x 16″

E-BIKE! Another revelation was seeing the Park from the seat of an e-bike! Mind you, I don’t own one, and probably won’t purchase one, but I highly recommend renting one for anyone who wants to see more of Acadia. Riding the Carriage Trails provides an amazing overview, very different from the trails and the Park Loop Road.

E-bike!

I tried an e-bike for the first time this year, riding slowly, stopping frequently to marvel at the beauty, the stone bridges, the variations in landscape. I saw things I’d never managed to see in all my MANY years of visiting Acadia! Bridges, waterfalls, views. What a pleasure, too, to ride in comfort.

Little Harbor Brook Bridge, 16 x 16″
Spring Cascade (Amphitheatre Bridge) 16 x 16″

NOVEMBER! The third factor adding to my experience of Acadia has been visiting in the very off-season, staying for the whole month of November. I’ve talked before about the feeling of “openness” and the awareness of topography when the leaves have fallen. The colors are more subtle, and there’s a whole lot less green around! Days are short. The sun is low. It’s very quiet. I love it.

A moody Sand Beach.
Fog in November at Somes Sound.
November color.
Tiger Shadows, 16 x 16″
November at Bracy Cove, 20 x 16″
Paradise Bridge, 16 x 16″

I’ve had opportunities to give friends and some family a tour of my Acadia. Here are some photos to encourage you to see the Park for yourself:

On Cadillac.
Mergansers!
Swimmers at Echo Lake.
Night at Schoodic.

You may not want to paint there, but Acadia is inspiring in so many ways. I am perpetually grateful to all the people who made the National Parks, especially Acadia, part of our national heritage. Acadia is mine. And yours. Cherish it.

Painting on Beech Cliffs.

So what now? I’m looking forward to my next painting trips! I keep a practiced eye and hand by doing figure drawing twice a week when possible.

And I’m always looking for paintings, wherever I go.

To work, Jana, to work! 🙂

Posted by: janamatusz | January 26, 2025

Photos at an Exhibition!

The opening reception for my “Jana Matusz: Mostly Maine” exhibition at the St. Botolph Club in Boston was on January 15, 2025. Thank you to everyone who came to see my work, whether at the opening or in subsequent visiting days. The 30 paintings will still be on view until February 21, 2025.

Here are some photos of the opening. As you can see, the St. Botolph Club has a very special and elegant stairway exhibition space. Chris Valle did a terrific job placing, pairing, and hanging the work.

Curator Cathryn Griffith and me.

Geraldine and Gisele whisked my iPhone away, and took photos all evening! What a kindness!

Charlie and Amy came all the way from Maine!

A lovely dinner added an elegant finishing touch to the evening.

I came back with Anne-Louise the next week during visiting hours and took some more photos of the exhibition. (Marjorie was visiting then too!)

“Francis B.” (for Bacon, of course) sends greetings, and invites you to see the exhibition in person. 🙂

And for those who cannot come in person to pick up a catalog, you can see it here!

These special moments don’t come too often. Again, many thanks to everyone who made this exhibition possible. I am very grateful.

p.s. It’s very humbling — I’m in very good company. There is a plaque at the St. Botolph Club which has a listing of some of the many artists who exhibited there between 1880 and 1990. Yikes.

Posted by: janamatusz | January 2, 2025

2025 – A New Year!

Exhibition at the St. Botolph Club,
January 15 – February 21, 2025!

I’m very honored and happy to share my work at the St. Botolph Club in Boston, an esteemed venerable organization with an illustrious history, dating back to 1880.

Please note the very limited times for viewing the exhibit. The opening reception is on Wednesday, January 15 from 5:30 to 7:00 pm at the St. Botolph Club, 199 Commonwealth Avenue, Boston, MA. After that, non-member visitors are welcome to view the exhibition on Wednesday afternoons, 2:00 – 4:00 pm. Please plan carefully if you would like to visit!

Many many thanks to George Lynde, who introduced me to the Club in 2010 when I first exhibited there. I’m also very appreciative of the efforts and guidance of Cathryn Griffith, who is curating the show, and all the folks at the Club who are helping make this exhibition possible. I’m especially thankful for the encouragement and support of Amy Sidman, director of the Argosy Gallery in Bar Harbor, who thought a 15-year interval signified a good time for another exhibit at the Club! Amy wrote a beautiful essay for the exhibit, which is excerpted in the exhibition catalog.

Amy Sidman and me at the Argosy Gallery

I’m planning to exhibit 30 paintings, and yes, they are indeed Mostly Maine (although there will be some animal portraits from the Harvard Museum of Natural History too.) In my next post I’ll share some photos of the exhibit.

Acadia in 2024

In 2024, I spent a lot of time painting in Acadia Natonal Park, with trips in May/June, October, and the whole month of November again. I just can’t get enough of the Park, and find it endlessly inspiring. I feel so very lucky to be spending so much time there, and to be able to share the beauty of Acadia in my paintings.

In May and June I was able to do more hiking, kayaking, and exploring. Mostly I was on my own, but I loved it when Marta was able to join me at the end of my painting trip.

Breathe! Fresh Maine air, healthy outdoors, happy painting.

I met the Gloucester Old Spot pigs at the Peggy Rockefeller Farm, and enjoyed drawing them in the company of the resident cat.

In October it may be cloudy and blustery, but there is always some color and drama. It’s very different than May, less crowded, but still reasonably comfortable.

And then November! The days are short, the weather even more challenging, but still Acadia is beautiful. It is quiet, a bit moody, and without foliage it feels lighter and airier and more accessible.

Painting at Thunder Hole would probably not be possible during tourist season, but I could do it in November! This year I tried painting on 24″ x 24″ boards for the first time. Previously my largest plein air size was 20″ x 20″, (which is still very large for a plein air painting.)

I keep on finding new places to paint, and revisiting places I’ve loved. And boy do I love the rocks.

Can’t wait to get back there.

Come see the exhibition!

Posted by: janamatusz | May 9, 2024

Back to Acadia again soon

I know it’s been a while since my last posting here. (Do I still know how to do this?) The last entry summed things up so nicely when I said “I feel very fortunate to be painting and sharing some of what’s good in the world.” I continue to spend weeks at a time, even whole months, painting in Maine. Let me share some more images and paintings, and you’ll see why I keep coming back again and again.

On Cadillac

Everywhere I turn on Mt. Desert Island I find beauty, nature, drama.

Southwest Harbor boats
Sunrise from my cottage.
My Happy Place

Some of the beauty is fleeting, and impossible to capture in a painting which takes hours: patches of green sunlight in the water,

or fog

or the immensity of reflected morning sky in a mirror lake.

I do what I can, trying to capture some of the beauty and strength which surrounds me. So far I’ve been able to do all my painting on site, en plein air, alla prima, almost always in one sitting.

And I do love the rocks. Strong, powerful, colorful, beautiful rocks.

Since I last wrote, I did paint some “kayak paintings,” and I can’t wait to do more. I had a bit of a learning curve, and had to figure out how to anchor my kayak and deal with wind. I loved being on the water though, and I was able to paint from a different perspective, no longer limited to the views from paths and trails.

I love my “origami” Oru kayak, which fits beautifully inside the car. No need for a roof rack, and no heavy lifting.

Another new development was finding new places to explore. I was intrigued by the books by Matthew Marchon entitled “The Acadia You Haven’t Seen.” What? Impossible! After all these years (decades!) of exploring and hiking all over Mt. Desert Island, there were places I had not seen??? Really?

Yes! Really! Some places I knew, and some I didn’t. And some of those places were possible painting spots:

Tilting Rock. 16×16″
Star Point Arch 16×16″

Another new development was painting in NOVEMBER.

Yes, November. Yes, it was cold. Yes, the days were terribly short. It’s a very different experience than painting in May/June or even in October, my usual painting trip times. Amy at the gallery was sure I’d say “Never again!” after a November painting trip. But on the contrary, I LOVED it. I loved the absence of crowds, I loved being able to park anywhere, and I loved the open airy-ness of the Park and the late fall light.

Sand Beach (without crowds!)
Quiet, wet Bar Harbor.

The weather was often gray and beastly, but there were enough gorgeous moments so I could paint.

Here, let me share some painting moments from the past year or so, in all seasons:

(The guardrail helped hold my easel for this one.)

If the sky turns to “milk” or becomes totally overcast with “cotton batting” clouds, or it rains, I usually don’t paint, at least not outdoors. As I say, “If one side of a house is the same color as another side, it’s not a painting day.” In that case, I’ll hike and scout, or read, or even do a still life.

Spring Bounty, Triple Chick 12×12″

But mostly I love getting outside and painting the strong, rocky Maine coast.

Great Head 20×16″
Dark Ocean 20×16″
Schoodic Harmony 20×20″

Can’t wait to get back there to paint!

If you’re interested in seeing or purchasing paintings, please visit the Argosy Gallery in Bar Harbor, Maine. (6 Mt. Desert Street) Amy and Charlie will be glad to show you the beautiful paintings by many talented artists. You can also see my Argosy Gallery paintings on-line:

http://www.argosygallery.com/artist.asp?id=75

You can now also find an eclectic selection of my paintings at Donna Parson’s Online Gallery, based in Providence, Rhode Island.

https://www.donnaparsonsgallery.art/shop-17

I am so grateful to have galleries and kind people who support my work. Thank you!

I have an important exhibition coming up in January/February of 2025, but I’ll save the details on that for my next posting.

Thank you for visiting. Until next time…

Posted by: janamatusz | August 4, 2022

Still wild about Acadia

I never tire of Acadia. I love painting in Maine. How can you not love a place that looks like this?

Everywhere I turn, there are beautiful places, wonderful things to see and explore, wildlife, vistas, surprises.

I try to capture some of it, as best I can.

It makes a difference, I think, to paint landscapes on-site, no matter how difficult it may be at times.

Here are some paintings from the past year. (Yikes. It’s been a while since I’ve posted.)

My paintings from Acadia are on display at the Argosy Gallery in Bar Harbor.
http://www.argosygallery.com/artist.asp?id=75

There was a lovely reception at the gallery in June, and there will be a major group show at the Bar Harbor Inn on August 27, 2022. I’m in excellent company with the “Acadian Eleven.”

Please come if you’re in Maine! Meet Amy Sidman, the gallery director, Charlie Sidman and some wonderful artists who also love Maine. As Amy says on the website, “An Acadian Eleven” is Our major 2022 show opening August 27 at the Bar Harbor Inn. This year’s exhibition will feature work of the eleven artists, still actively painting in Acadia, whom we’ve represented the longest. Formal invitations will go out in the first half of July. If you don’t receive one but would like to attend, just call or email. Everyone is most welcome.

Meanwhile, I’m already thinking of my NEXT painting trip to Acadia. 🙂 I have another way to explore now, and perhaps some of the next paintings will be done en kayak! It’s worth a try, I think!

I can’t be in Maine all the time. (And it wouldn’t be so very special, probably, if I were.) I’m actually very happy to be at home in Massachusetts with Marta and cats and friends.

During the pandemic, I missed the company and camaraderie of my fellow artists at the Providence Art Club. Hopefully I will be able to return soon. However, I have continued with on-line figure drawing sessions, sometimes attending 4 or 5 a week. These are some of the drawings you can find this summer at the KMOE Gallery at 397 Commercial Street in Provincetown, MA:

Thanks for reading. I am so grateful, more than I can say, for all of you who help support my work. Everything seems awfully crazy these days, and I feel very fortunate to be painting and sharing some of what’s good in the world. Thanks!

The pandemic was exhausting, but as we pull out of it (hopefully), it’s nice to touch base, celebrate survival, and express thanks for all the good things.

I have not posted in ages, and my old website is gone — I have only this WordPress site now. Eventually I will take care of updating everything. In the meantime, I just wanted to share an update on three fronts.

First,

painting in Maine has been a life saver and a sanity saver. I’ve been able to work there quite a bit this year, and Acadia continues to inspire me.

Argosy Gallery, in Bar Harbor, is featuring my work in an exhibition this summer. Be sure to stop by if you happen to be in the area. Perhaps you saw the ad in American Art Review:

I’m starting to feel like an honorary resident of Maine, since I spend so much time painting in Acadia. I still love my coastal rocks, but I’ll paint a painting when I see one out there, no matter what the object matter is. Here are a couple very recent paintings, hot off the easel — not yet officially titled or framed. They’ll be at the Argosy Gallery soon.

You can also find my paintings at the Powers Gallery in Acton, MA and the Dryden Gallery in Providence, RI.

Toward Wonderland, 20×16″
Tidepool, 16×16″

Second,

on a very different note, you can now see some of my figure drawings at the KMOE Gallery in Provincetown, MA.

It has been one of the few GOOD things to come from the pandemic: virtual figure drawing on-line.

I love figure drawing. As always, I attend several drawing sessions a week, but now they can be in London, Asheville, Cambridge, or anywhere in the world. And the model can be anywhere in the world. And the other artists are from everywhere! It’s wonderful. I love it. The on-line offerings are often very diverse and creative. It’s really inspiring to see the work of other artists, and to have the privilege of drawing some really terrific models. (I also appreciate not having to drive, not having to park, and not having to schlep my art supplies.) I hope the virtual figure drawing will be here to stay!

Provincetown is the perfect place to show this work, and I’m delighted to be able to share it at the KMOE Gallery.

Here is a postcard with all the info you need:

Here are a couple more drawings from my on-line sessions. You can see lots more at KMOE Gallery, all season long!

Tiny Feet
Marital Bliss
Zoom Pro

Third,

the animal portraits at the Harvard Museum of Natural History are still up! The exhibition was installed the day before the museum closed in March of 2020. The museum is still closed and will stay closed until fall, most likely, but you can visit it virtually! For free!

Go to

https://hmsc.harvard.edu/nature-artist

and you can walk through all the galleries! Even if you live far far away! I challenge you to find my exhibit of animal portraits, called “Face to Face.” (Hint: it’s between Romer Hall — with the dinosaurs — and the Africa and South America rooms.)

Of course you can still view the portraits there as an on-line exhibition, and read the interview:

https://hmnh.harvard.edu/face-face

https://hmnh.harvard.edu/face-face-interview

I do love those animals, and I miss going to the museum. One of the portraits, of the Kinkajou, will be included in an exhibition called “Wild Things” at the Rocky Neck Art Colony Cultural Center Gallery, in Gloucester MA, August 5 through September 12, 2021.

Kinkajou, Hommage Series

Art goes on. I’m grateful for everyone who helps and supports my work. You know who you are. Thank you!

Posted by: janamatusz | November 21, 2020

Over and Under

If you are receiving this posting in email, you can always see the official blog version at
https://janamatusz.wordpress.com/

It’s a pretty awful time to have exhibitions, isn’t it? Well, as my grandma used to say, “Whatcha gonna do.” We just make the best of it and carry on.

I’m pleased to join fellow artist Michele Poirier Mozzone for a show at the Dryden Gallery which runs from November 7 through December 5, 2020.

It’s a real honor to show with Michele. I’ve admired her work for years.

You can see a short interview of the two of us here:
https://www.facebook.com/drydengallery/videos/over-and-under-paintings-and-pastels-by-jana-matusz-and-michele-poirier-mozzone-/1015280262231690/?__so__=permalink&__rv__=related_videos

For those of you who would like to see the “Over and Under” paintings in person, please visit the Dryden Gallery at the NEW Providence Picture Frame location:

Address: 1350 Mineral Spring Ave.
N. Providence, RI 02904
Phone: (401) 421-6196
Business Hours: Monday-Saturday: 9:00AM to 5:00PM
Donna Parsons, Gallery Director/Designer

Many thanks to Donna Parsons for sharing my work at the gallery. For those of you who (like me) would be reluctant to venture out to a gallery these days, I will give you the opportunity to see my 18 paintings right here. (Always better to see paintings in person of course, but “whatcha gonna do,” right?)

Sleeping Giants (Acadia National Park) 20 x 20″ $1850
Solidity (Acadia National Park) 20×20″ $1850
Persistent Fog (Acadia National Park) 20 x 20″ $1850
Tilted City (Acadia National Park) 20 x 20″ $1850
Basalt Blues (Acadia National Park) 20 x 20″ $1850
Thunderhole Rocks (Acadia National Park) 20 x 20″ $1850
Little Moose Landing (Acadia National Park) 20 x 20″ $1850
Schoodic Nook (Acadia National Park) 20 x 20″ $1850
Gap Cove (Cape Ann, MA – Rockport) 20 x 20″ $1850
Flat Rocks Near Folly Point (Cape Ann, MA – Gloucester) 20 x 20″ $1850
Western Point Afternoon (Acadia National Park) 16 x 20″ $1500
Adamant (Acadia National Park) 16 x 20″ $1500
Across the Chasm (Acadia National Park) 20 x 16″ $1500
Submerged Rocks (Cape Ann, MA – Rockport) 16 x 16″ $1275
Sun on the Rocks (Acadia National Park) 16 x 16″ $1275 Sold
Bastion Falls Rocks (Catskills, NY State) 16 x 16″ $1275
Beautiful Blues, Schoodic (Acadia National Park) 16 x 16″ $1275
Light and Heavy (Mount Desert Island, Maine) 16 x 16″ $1275

All the paintings are acrylic on panel, and, as always, painted on site. Yes, I was able to get tested and paint in Maine again this past July and October.

My Harvard animal portraits had their rescheduled showing September 20 through October 9, 2020. The “Hommages” exhibition at the Providence Art Club was a very special one for me. Those portraits were a challenge, a major achievement for me, and very personally meaningful. You can view the catalogue of all the paintings in the exhibit here (my work starts on page 77):
https://issuu.com/providenceartclub/docs/catalogue_for_october_2020_shows.docx

If you’d like to view a video “walk through,” just send me a request at janamatusz@aol.com and I’ll send you the file. It’s nice to see the fancy frames (not included in the catalog), and to see how terrific the paintings look when beautifully arranged and lit. Thank you to the Michael Rose and the gallery staff at the Providence Art Club for all their hard work.

Everybody please stay safe and healthy as we give thanks this year.

Posted by: janamatusz | March 25, 2020

MARCH of the Animals Stopped in Its Tracks

In the scheme of things, I know, it is a very small thing. Both exhibitions of the animal portraits were casualties of the corona virus.

The GOOD news is that the exhibition at the Harvard Museum of Natural History was fully installed before everything shut down. Marta and I had a chance to visit it in the last few hours before all the museums closed their doors. So even though you can’t visit the exhibition in person now, I can share a little bit of what’s there since I took some iPhone photos.

Come see!

This is the wall you see first as you enter. The exhibition space is between the dinosaurs and the rooms of specimens:

blogleftwall

And this wall faces that first one:

blogrightwall

Remember, these are reproductions of my paintings, but they are really lovely reproductions — accurate color, beautiful satin finish, and larger than the real paintings. I am SO pleased with the presentation — the exhibit designers did a wonderful job not only with the visual aspects (color choices, arrangement, choice of paintings, hanging height, lighting, typeface, etc.), but also with the beautifully written text on the wall:

blogtext

There are eleven portraits in this exhibition, chosen from the 26 image files I provided. Each has a label which identifies the animal and where in the museum you can find it. In the short time I spent earlier in the exhibit, I was delighted to see children gathering by the lion cub, debating whether it was Simba!!! or Nala!!!

Marta enjoyed seeing the animals in their new setting, after seeing the originals in our living room for weeks last fall.

blogmartaandgroup

Here are all eleven of the paintings. Remember, these are reproductions, not the actual paintings, and there are some areas of glare and some shadows since these iPhone photos were taken right in the exhibit. So imagine you are there:

blog01rhea

blog02amazon

blog03wolf

blog04moonrat

blog05coelacanth

blog06hartebeest

blog07colobus

blog08viscacha

blog09lion cub

blog10kestrel

blog11warthog

So do you have a favorite?

Do they “speak” to you too? What do they seem to be saying?

I’ve been asked if I have a favorite. Honestly, I love them all — they’re my friends and I feel close to them from drawing them at the museum for so many years. I feel especially glad that the coelacanth turned out, since I’m amazed at the creature’s very existence. It’s a fairly ugly thing after being in preservative for 54 years, but knowing that it was bright blue with white stars(!) when it was pulled from the water, I felt justified in taking some liberties to hint at its real-life beauty.

blogcoelacanthandjana

But they all speak to me. I wanted to honor and thank all of them. I love the poignancy of the lion cub, the cheerfulness of the warthog, the nobility of the wolf, the friendliness of the moonrat, the sternness of the kestrel, and the stunned look of the colobus.

blogjanaandcolobus

When the Harvard Museum of Natural History opens again, you’ll be able to see the exhibit for yourself, and maybe even take the Caption Challenge, adding your suggestions and participating in the social media activities.

The other exhibition, the one of the original paintings at the Providence Art Club, has been postponed, but hopefully will be rescheduled for September/October 2020. Then you’ll be able to see the actual paintings in their ornate frames. There will be some other new faces there, I’m sure.

Until then, we all manage the best we can.

Please stay safe and well, everyone. Thanks for visiting this blog. If this is your first time visiting, feel free to go back in time to see other projects and art trips. You can scroll and click to go all the way back to my Bermuda residency in 2011. I especially recommend my blog entries from Cesky Krumlov in 2012
(https://janamatusz.wordpress.com/2012/06/22/june-22-five-petalled-rose-celebration-day-1/) with the fun photos there,
and my month of painting in Provincetown, MA
(https://janamatusz.wordpress.com/2013/05/04/a-heavenly-month-in-provincetown-massachusetts/).
Mostly, of course, you’ll find lots and lots of photos and artwork from Acadia National Park, my “Maine” inspiration.

Until next time…

Posted by: janamatusz | March 4, 2020

It’s a MARCH of the Animals! Two shows!

This month brings TWO exhibitions featuring the animals portraits I did at the Harvard Museum of Natural History.

Here is your invitation to the Providence Art Club Exhibition entitled “Hommages.”

PAC Invitation

As you can see, other Art Club members are also showing their work. My animal portraits will be all together upstairs in a mini-solo show in the Mary Castelnovo Gallery.

If you marked your calendar for the official opening reception of the Providence Art Club show, please check the date! The correct date is SATURDAY, MARCH 28, 2020 from 4:00 to 6:00 pm (NOT Sunday, March 29!). Come and enjoy some refreshments, good company, and all the artwork.

But wait … there’s more! ALSO in March is the beginning of another showing of the animal portraits!

At the Harvard Museum of Natural History, they have put together a wonderful exhibit called “Face to Face: Portraits of Museum Animals by Jana Matusz.”

facetofaceharvard

This exhibit displays reproductions of the expressive animal portraits, and encourages visitors to take the Caption Challenge. What do the animals seem to be saying? (If you enjoy the New Yorker Cartoon Caption Contest every week, you will LOVE this opportunity to be creative!) I’m so pleased that I’m able to help draw attention to some of the museum animals, and to encourage visitors to look more closely.

“Face to Face” will be open to the public beginning March 12, 2020 and will be on display through June 21, 2020. So you have plenty of time to plan a visit! (And you should!) The Harvard Museum of Natural History is an amazing treasure.

https://hmnh.harvard.edu/

People come from all over the world to see the famous glass flowers, but there are also terrific exhibits of rocks and minerals, dinosaurs, the amazing collection of the Peabody Museum of Archaeology and Ethnology, and of course, my favorite, the huge and wonderful collection of bird and animal specimens. Bring your sketchbook and draw!

I will post again soon, with more information and news about both exhibits.

Meanwhile, stay safe and healthy, everyone!

 

Posted by: janamatusz | November 4, 2019

Third of Three Posts: Now You Can Wear My Art!

What a great idea. And just in time for the holidays!

I recently got an invitation from Le Galeriste (https://legaleriste.com) to reproduce my artwork on clothing!

Here’s what I learned about them online:

Le Galeriste, based in Montreal, Canada, specializes in the design and production of premium garments with prints of original art curated from hundreds of artists from all over the world. The company’s mission is to help emerging artists focus on their art by supplying revenues and visibility through the sale of environmentally and humanly responsible garments. They are the official supplier for some of the greatest museums on the planet. Recognized by some of the world’s top writers in fashion and art as the reference in wearable art, Le Galeriste is known for the quality of its products, impeccable all over-prints and its just-in-time production processes. You can purchase their garments in numerous boutiques in Canada and USA, AND on-line!

Fashion! Moi? Not exactly something I know much about (as anyone who knows me can attest), but when I saw their proposal I knew that they were right. My artwork looks terrific on clothing and other items. They just finished with the designs. There are twelve items to choose from — take a look!

Click here to see the full selection of Jana Matusz designs from Le Galeriste!
www.art-a-porter.com/jana.matusz

The designs for women’s clothing are beautiful, flowing, feminine and practical. The material is really nice too — it feels like a quality material, comfortable, not too heavy, not too light.

There are men’s shirts as well, and even pillows and placemats. Surely there’s something there you’re eager to have, or to give as gifts at holiday time.

Le Galeriste chose the artwork they wanted to work with first, but you can put in a “vote” for other artwork at the bottom of the page. This is a start! Maybe other things can happen… If there is interest, I will submit other artwork files.

I’m happy to work with this company. They provide a good list of reasons to choose Le Galeriste, some of which may be important to you as a customer too:

  • Many of the best museums and artists on the planet trust us with their art because we’re dedicated to protecting intellectual property and don’t use third party companies in our production process;
  • We’re the only company on the market to assign a living breathing fashion designer to each artist to help you build the best collection possible;
  • Our production is 100% LOCAL (on top of creating good jobs, this also means your art doesn’t end up on a Chinese computer somewhere & that products don’t fly thousands of miles to get to the purchaser);
  • Our fabrics are vegan & wrinkle-free (super travel-friendly!);
  • We are super nice to work with!

As an artist, I’m grateful for the support and the opportunity. I will get at least 10% royalties on whatever is sold from my page (more if certain milestones are reached).

I can’t wait to order a few items myself. And I like to envision my artwork hanging not only on walls but also hanging in your closet! And being worn often out in the wide world.

Please feel free to pass along the link to my Le Galeriste page if you know someone who might be interested. www.art-a-porter.com/jana.matusz 

Thank you!

 

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